@article {forsyth_playing_2004,
	title = {Playing with Wench-Like Words: Copia and Surplus in the Internet Shakespeare Edition of Cymbeline},
	journal = {Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature},
	volume = {9},
	number = {3},
	year = {2004},
	note = {00000},
	month = {jan},
	abstract = {This informally written article by Jennifer Forsyth - originally presented as a talk - discusses emotion in the creation of editions. Forsyth uses her experience as the editor of the Internet Shakespeare Editions Cymbeline to inform her exploration of this topic. For Forsyth, publishing and emotion are intimately linked. Forsyth acknowledges that "technical wizardry" has provided contemporary editors with the ability to interact with their readers. Forsyth argues that "well-informed, interested, and intelligent readers" could easily be invited to collaborate with the traditional lone editor in order to create a more dynamic edition. Forsyth concludes by arguing that perhaps by alleviating the pressure of single editor that must know all, editions could become more fluid. },
	keywords = {1500-1599, copia, Cymbeline (1609), English literature, relationship to electronic edition, romance, Shakespeare, William (1564-1616)},
	issn = {1201-2459},
	url = {http://extra.shu.ac.uk/emls/09-3/forsplay.html},
	author = {Forsyth, Jennifer C.}
}